Over the next few weeks we’ll be sharing some of the fantastic work produced by our first year cohort in second semester of 2015. Textile Design – Structure incorporates both studio and workshop techniques specific to constructed textile design.  Structure places a strong emphasis on play, form and material exploration.

Students were required to create three communication boards to explain their; theme, process and outcome, some of which can be seen below.

(Image above: Jack Fillmore, Abyssal Undulation)

Human Decode is a collection of experimental textiles by Hsiang-Lin Kuo (currently on exchange from Taiwan).  Hsiang-Lin used the illustrations of Katie Scott as a source of inspiration, her finished work (seen directly above) embedded embroidery and knit samples into a silicone bodice, delicately protected by a thin layer of white organza.

Rose Goodchild produced a kinetic / auditory collection of accessories inspired by the Bjark Ingels group of architects.

Centre Court by Olympia Palioportas explored both line, form and texture associated with the tennis court. Her interpretation into crocheted and beaded neckpieces demonstrates great technical skill and design translation.

Brute Force by Inneka Moorhouse uses clever methods of modularity to create an overwhelming shoulder piece.  The knitted sleeve provides a softer interpretation of brutalist architecture.

Enfold in the quiet was a reflective exploration into warmth and comfort by Georgina Wish-Wilson.  The process of felting was a new technique for Georgie, and one that she used to great effect in both the bag and cap.

White Man in a Hole by Daisy Wellington was inspired by DIY opal miners living in and around Cooper Pedy.  Her conceptual approach lead to a utilitarian outcome, with the two bags made from ad hoc hardware materials such as copper-wire, washers, paper, cable-ties and plastic.

Keep an eye out for the next post on the equivalent print related course, Textile Design – Surface.